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 iOS has updated and the iPhone 12 Pro Max now saves to RAW files in Adobe DNG format – woohooo! But, massive file sizes, way bigger than Nikon and it shows why Apple insist on processing the images in camera for HEIF and JPG. The RAW file shows that phone camera lenses really are rubbish. However, I don’t mind either of these as at least it puts the processing in my hands rather than some jumped up dumb algorithm.

 A post for the photo-nerds amongst us.

So, I have just taken delivery of my shiny new iPhone 12 Pro Max and run a few test shots off.  Downsizing from a big Nikon FX DSLR to a phone camera is a massive move which will require a change in mindset. 

I am now forcing myself to limit expectations over the lack of control that is inherent in a phone camera. No control over depth of field is my biggest niggle, the phone has a naturally shallow DoF but not shallow enough to be useful so, most of the time it is just plain annoying and very unprofessional looking. Despite image stabalisation the shutter speed is often still too slow due to the automatic ISO taking over. The images are heavily processed by the camera and sharp edges are over enhanced to produce a rather too obvious pseudo-sharpening effect. The Portrait mode also produces a pseudo-DoF effect that is a very poor substitute for aperture control, and it shows. I have to bare in mind that these things are to make taking pictures easy for people who just want a point and shoot and are not really interested in the finer points that would concern a professional.

On the plus side, as it effectively brackets three exposures per image and automatically sandwiches them, it has an exceptionally wide exposure latitude. The new HEIF file format can be edited non-destructively in Lightroom on Mac and PC but can not be opened (yet) in Photoshop on the PC – wtf! The compression in areas of the images which the algorithm considers to be of little importance is awful and looks like painting by numbers when enlarged. The JPG compression is not much better. Both formats are no where near professional standards. Given the choice I would rather have the option of a larger file size and a higher quality plus an unadulterated RAW format. The iPhone now has a telephoto lens (not sure why people call it a zoom lens), woohooo! It’s really equivalent to a 65mm FX lens but it does address one of the most annoying issues with phone cameras in general being too wide an angle. Despite the over compression, the images are just about good enough to produce an almost decent print and possibly good enough for projection use.

I think I can get used to most of the foibles as my documentary style does not rely on ‘stylistic interpretation’ or the ability to produce the spectacular. My interest lies in story telling and for that, what you take not how take it is most important.

Watch this space for pictures…

P.S. just read a post by a beta tester, the new version of IOS (10.3) might be able to save in RAW format on the iPhone Pro Max. That might give me a fighting chance against the tyranny of automatic file size reduction and over-ambitious image ‘enhancement’!

Well I’ve done it again, sold all my cameras.

I usually do this when I get a bit disillusioned with my photography. The last time was in 1990s after I had moved back to Lincoln and work from London was drying up, remember there was no internet back then and photography was a wet process.

Communications from Lincoln to London were tricky. It would take a long day to shoot a story, drive to Nottingham and get it processed, then pre-edit it, package it, get it to the train station and organise a bike to pick it up at the other end to take it to the editorial office.

In an effort to attain more work from London I built a website on this new thing called the ‘webbynet’. Trouble was no one in the editorial offices was online yet. However, I now had a lifeline and having built a few websites for other people I landed the job of Website Manager at the University of Lincoln. I sold my cameras and didn’t take a serious picture for 15 years.

5 years ago I left the Uni with enough cash to be independent and pursue my own photographic project (details and pics in this blog). I had an exhibition and published a couple of books. All well and good…

I now face another ‘photostential’ crisis, where do I go from here? Though, this time it’s more of a move in a different photographic direction. Photography for me has never been about producing pretty or spectacular pictures. They have their place but for me a picture has to have some meaning or be more informative than “isn’t that amazing!”

The way people consume photography these days has also changed. If I send an email out to my mail list, 90% of those who look at my blog or website do it on a mobile device so, what’s the point of me shooting a 40MP image if it’s going to be viewed at the size of a credit card? These days an iPhone camera is quite capable of producing the quality needed for a sizeable print or projection. An iPhone is also considerably more convenient. If you pull out a big SLR these days it marks you out as a professional and people start to get suspicious, no one bothers if you pull out a phone. Strange how it used to be the other way around.

I have sold my cameras and am awaiting the release of the new iPhone.

It might have something to do with my father’s gardening style that I have a fascination for the eccentric.The only photo I have of his garden is the pixie house that he built in the 1980s. 

I think it must be in the blood, a kind of exhibitionist gene maybe. Though I feel no need to turn my garden into Dingly Dell I can see why people do it. 

I love the dedication to the task and the mad eccentricity of it all.

Perhaps this is my next chapter of Jerusalem! 

Though not in Lincolnshire the following pictures are of a garden in Nott’s which deserves an honorary place as not only is it beautifully crazy it features the Red Arrows who are of course still in Linc’s…

I have never thought of the Trent valley power stations as being a blight on the landscape. Despite the pollution and their dominance they are a thing of beauty.

My father  (Cyril Goddard) was a site foreman on Cottam power station during its building in the 1960s. As you can see, health and safety weren’t as much of an issue in those days, no hard-hats or safety-net! I remember as a small child hearing him tell my mother that the workers were campaigning for the issue of safety hats for all workers. He does look good in a beret though. Eat your heart out Lewis Hine 😉

More things that stick up into the air. I felt the need to take a spectacular image, the kind of attention grabbing image that photographers take to impress upon their viewers their ‘unique talents’. Not something I am normally bothered about as I am more interested in the landscape itself, rather than flattering it!

So, I got up at about 5.00am and drove into the Wolds with the idea of photographing the Belmont TV transmitter at sunrise in the frosty landscape. The idea being that as the sun came over the horizon it would catch the mast before the landscape and light it up like a giant gleaming pole. Yeah, didn’t happen! Unfortunately the sky was reflecting too much light down onto the landscape before it directly hit the mast itself. I’ll leave the pretty pictures to others from now on.

Still, it was a beautiful thing to hike out there in the pitch darkness and frost (very, very cold) and watch the dawn break.

As it’s the time of year for reflection and new starts, I’ve been thinking (please, no jokes). Re-reading my original statement about this project. I need to redefine what I am doing so, this is my first text only post.

Jerusalem as a  project was only ever loosely defined, it’s more a bunch of ramblings, both physically in the landscape and in the mind. I have only ever had a vague notion of where I was going with it but, does it really matter?

A continuing theme of my landscape projects over the years has been borderlands (see: The Wash, Confused Landscape, True Stories ). The areas of landscape that are between one place and another.

Coastal areas have always interested me so this might be the project for 2018. Photographing the Lincolnshire coast in greater detail would continue the trend and integrate with the larger Lincolnshire theme.